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1. BRIAN ENO YOUTUBE AMBIENT PLUS FILTERS AND
2. BRIAN ENO YOUTUBE AMBIENT SERIES OF SOLO
3. BRIAN ENO YOUTUBE AMBIENT TRIAL NOISE OF

Brian Eno Youtube Ambient Series Of Solo

Born in Suffolk, Eno attended art school in Ipswich in the late. ), professionally known as Brian Eno or simply as Eno, is an English musician, composer, record producer, singer, music theorist and visual artist, and is commonly referred to as the father of ambient music. 2021 Music for Airports (Brian Eno) another epic at 48 minutes long.Brian Peter George St John le Baptiste de la Salle Eno, (b. He started out playing synths in the early ‘70s as a member of the UK glam-rock band Roxy Music and went on to create an entirely new musical genreambient music, and later he recorded a series of solo albums and eventually produced career-defining albums for a host of bands including U2, Devo and Coldplay.First published in FACT:26 (June/July 2008)Ambient sleep sounds are looping, soothing sounds that are designed to help you. Brian Eno’s 50-year career is teeming with innovation.

Perhaps in 1978 it was something that needed to be opposed. Eno was particularly keen to note the differences between his ambient music (calming and provocative) and elevator music or ‘muzak’.Right now, actual ‘muzak’ or elevator music is so hard to find that it would probably sound interesting if you did. And there’s a conceptual glamour about music so quiet that it might fade into but also enhance background noise.If you call this ‘ambient’ then you might best begin with Brian Eno and the liner notes for his LP Music for Airports, written in 1978. It’s a heavy, theoretical space to think about the relationship between music and silence, sound and thought and feeling.

Brian Eno Youtube Ambient Trial Noise Of

The genre reached backwards through history to claim the classical minimalism of Erik Satie and Arvo Pärt, the post-industrial noise of Coil and Boyd Rice, certain late-‘60s records and certain early to mid-‘70s Krautrock records. Which suggests what? Present? In motion? And sort of ‘just there’ like a gas or perfume, molecules that diffuse in the air?It’s interesting that Eno’s use of the word ‘ambient’ has also been adopted (by writers and DJs, compilers of LPs, etc) to claim that records made before 1978 were also ‘ambient’. It just says ‘going about’. Which doesn’t say ‘peaceful’ or ‘beautiful’ or ‘relaxing’.

An ‘important’ record, a line in the sand, and what a concept it seems to speak to, soundtrack (and perhaps critique) the modern world.Harold Budd & Brian Eno – Ambient 2: The Plateaux of Mirrors (EG, 1980)Fractured electronic dub that seems to have been formed from the outlines and after-images of sounds, from the surges and traces they leave behind on echo or delay units. But it doesn’t have to be that way – the purest meditations (if you read ancient Indian and pre-Buddhist texts) are about going beyond memory, rather than indulging it.The LP of angelic breath, whose killer tracks are minimal and layered choral tones that owe something to the classical works of Pärt. Quiet music that creates space for meditation and memory might also make us sad or melancholic. Does ambient have to be melancholy? Not necessarily, but it happens.

But the circling, minimal guitar on this LP reinvents the instrument as a mantra-delay machine.Manuel Göttsching – E2-E4 (Inteam GmbH, 1984) buyAsh Ra Tempel – New Age of Earth (RCA, 1976)THE ORB’S ADVENTURES BEYOND THE ULTRAWORLD‘Little Fluffy Clouds’ is irritating and certain beats are dull but when the LP reaches ‘Back Side of the Moon’ it opens, colossal, fresh space. Alison Statton’s flat vocals, stark guitar and basic synth are exquisitely bleak – the LP feels like it was recorded in Communist East Berlin.Cocteau Twins – Head Over Heels (4AD, 1983)Gareth Williams & Marie Currie – Flaming Tunes (self-released, 1985)Almost impossible to pick the most beautiful Ash Ra LP – you need this and ‘Schingungen’ and E2-E4 because Manuel Göttsching makes the softest psychedelia. Tracks often seem to dissolve as you listen to them – they are not easy to fix in the mind – they are spooky, unravelling textures.Aphex Twin – Selected Ambient Works 85-92 (R&S, 1992)Kevin Drumm – Imperial Distortion (Hospital Productions, 2008)Nurse With Wound – Soliloquy For Lilith (Idle Hole Records, 1988)It was either this or Durutti Column from the post-punk period and YMG win as vocal-song-oriented music so stark and truncated it embraces a silence and texture we know as ‘ambient’. And like Aphex’s first LP, the tracks have the lyricism of songs.Brian Eno – Ambient 4: On Land (EG, 1982)Harmonia & Eno – Harmonia & Eno ’76 (Grönland, 2010)The first Ambient Works is sweeter but this second LP, which is longer – a two CD set – is darker, stranger and harder to negotiate. Where the second Cluster LP is ‘important’ for its dark loops and drones, this pre-figures most of Eno’s later, melodic ambient strategies. And you get to hear the process as simple, delicate loops decay to fainter and shadowy works.William Basinski – Shortwave Music (Raster-Noton, 1998)An ‘important’ record because it’s the meeting place between Eno and the Cosmic Krauts.

Brian Eno Youtube Ambient Plus Filters And

There are also moments of exquisite delicacy. The soundtrack to Kenneth Anger’s occult epic, this matches psychedelic LSD freakout with drones, echoes and treated guitars that sound like they were recorded at the centre of the Earth. His records have been described as ‘unknown negative space’ – volume levels rise and fall textures change unpredictably – and like Pole there is a sense of fragmented delays and reversed exposures.Main – Motion Pool (Beggars Banquet, 1994)My Bloody Valentine – Loveless (Creation, 1991)(LETHAL RECORDS / MAGICK THEATRE PRODUCTIONS, 2005)Recorded in jail while Beausoleil was serving life for what was allegedly the first of the Manson killings. They bring a weightless grace to heavier ’70s aesthetic – the sound of clean, modern air blowing out the late ‘60s/early-70s templates.Just two tracks on the LP, apparently made from guitars plus filters and pedals, although the sound is hard to source or account for.

There is rhythm – some breaks and early Detroit beats – but the overall feel is tranquilised sci-fi that narcoleptic, interior techno. If this had been released on a bigger record label it would have been multi, multi-platinum.Tangerine Dream – ‘Love On A Real Train’, from Risky Business OST (Virgin, 1984)Global Communication – Blood Music: Pentamerous Metamorphosis (Dedicated, 1993)Global Communication – ‘Maiden Voyage’ (Dedicated 12″, 1994)A collection of the early, 1989-1990 Carl Craig tracks. It’s computer-organised psychedelia: utterly precise and fractal clean.